The Walking Dead, Mirror Neurons, and Empathy SupportiveArgument1 #250037
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- CitationsAdd new citationList by: CiterankMapLink[1] The Walking Dead, Mirror Neurons, and Empathy
Author: Jamie Madigan - PhD in Psychology, Gamer Researcher and Reviewer Publication info: January 4, 2013 Cited by: Sherry Jones 0:24 AM 8 February 2013 GMT URL:
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Excerpt / Summary "Thus was the first observation of a mirror neuron in action, a brain cell set apart from many of its peers and which are also present in delicious human brains. It turns out that many researchers like the aforementioned Dr. Marco Iacoboni, Professor of Psychiatry and Behavioral Sciences at UCLA, believe that mirror neurons are important for our ability to empathize with things we see, like the plight of poor Lee and Clementine in The Walking Dead. “Mirror neurons are motor cells,” Iacoboni tells me via e-mail. “That is, they send signals to our muscles to move our body, make actions, grab a cup of coffee, smile, and so on. However, they differ from other motor cells because they are also activated by the sight of somebody else’s action.” For example, a mirror neuron for grasp is fired when I grab an Xbox controller, but also when I see my friend grabbing a controller. “By being active even when we do not move at all and simply watch other people moving, they sort of create an inner imitation of the actions of others inside us.”
"I think this is one of the reasons why The Walking Dead is so good at eliciting emotions: it frequently shows us the faces of the characters and lets us see all the work put into creating easily recognizable and convincing facial expressions. And so it’s not the zombies that elicit dread in us. Instead it’s things like the face that Kenny makes when Lee tells him to make a hard decision about his family. “We spend a ton of time on the facial animations for the characters in the game,” The Walking Dead’s Creative Lead Sean Vanaman said when I asked him about this. “After writing the first episode we start to make lists of the type of things characters are going to feel in the story and then start to generate isolated facial animations to convey those moods and emotions. Those are then used throughout the game.” |